A postmodern moment

Valerie Dryden, a photography student at the Corcoran College of Art in Washington, has been photographing our family for the past several months. Taking thousands of photos, actually, as part of her senior thesis. That thesis is now finished, and last night was the opening of an exhibition of her photos at the Corcoran. Tina has more photos up on her blog if you want to see them.
I have to say, it was a bit odd to see myself and our family up on the walls of the gallery. Stranger still to see people recognizing us from the photos. The public nature of our participation in the project began to sink in for me — that we really had opened up our lives for people to examine in a way that we have not in our various blogs, podcasts, etc. In all our projects, we control the message — but here, the camera controls the message. It’s objective, and with thousands of photos taken, any effort to try to control how we’re presented is more or less lost. What remains is the real thing, unfiltered, unmanaged. Granted, the photo selection was managed by Valerie and her professors — and the selection has its own thesis, tells its own story — but it was weird to realize that we had opened our lives up to this. And in many ways, it is a more honest depiction of who we are than anything else we’ve done or participated in.
There was one photo in particular — where Tina and I were kissing each other goodbye — that showed us in a way that we rarely reveal to our friends and family, much less the world at large. My friend Jake pointed out to me that he had never seen us kiss before — therefore, the photo was his favorite, because it showed a side of us we never reveal even to the people we’re close to. And I have to admit, I was surprised to see the photo on display, maybe even a little embarrassed. We actively suppress intimate moments in our relationship — we keep them private, just between us. We’ve made a lot of our lives public, from the original Restaurant Fuel ‘zine, through our blogs and now through our three podcasts. So it was a shock to see us up there on the wall, gigantic, kissing. Our true inner lives on display.
And that I suppose is just why Valerie’s project was a success. Because even with subjects who are actively aware of how they’re perceived and are accustomed to managing and compartmentalizing their public persona, the truth came out. And it’s truth — whether objective or subjective — that makes the best art.


